Coloring Pixel Art - Kuso 葛飾 北斎 Katsushika Hokusai 神奈川衝浪里 the Great Wave drowning version

Coloring Pixel Art - Kuso 葛飾 北斎 Katsushika Hokusai 神奈川衝浪里 the Great Wave drowning version
ぬりえピクセルアート - 葛飾北斎グレートウェーブ溺死版
Colorear Pixel Art - Kuso Katsushika Hokusai la versión de ahogamiento de la Gran Ola
كاتسوشيكا هوكوساي النسخة الغارقة الموجة العظمىتلوين بكسل الفن -

Katsushika Hokusai (Japanese: 葛飾 北斎, pronounced [katsɯɕi̥ka hokɯ̥sai] ; c. October 31, 1760 – May 10, 1849) was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. Born in Edo (now Tokyo), Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji (富嶽三十六景 Fugaku Sanjūroku-kei, c. 1831) which includes the internationally iconic print, The Great Wave off Kanagawa. Hokusai created the Thirty-Six Views both as a response to a domestic travel boom and as part of a personal obsession with Mount Fuji. It was this series, specifically The Great Wave print and Fine Wind, Clear Morning, that secured Hokusai’s fame both in Japan and overseas. As historian Richard Lane concludes, "Indeed, if there is one work that made Hokusai's name, both in Japan and abroad, it must be this monumental print-series". While Hokusai's work prior to this series is certainly important, it was not until this series that he gained broad recognition. from : Wikipedia The Great Wave off Kanagawa (神奈川沖浪裏 かながわおきなみうら Kanagawa-oki nami ura, lit. "Under a wave off Kanagawa"), also known as The Great Wave or simply The Wave, is a woodblock print by the Japanese ukiyo-e artist Hokusai. It was published sometime between 1829 and 1833 in the late Edo period as the first print in Hokusai's series Thirty-six Views of Mount Fuji. It is Hokusai's most famous work, and one of the most recognizable works of Japanese art in the world. The image depicts an enormous wave threatening three boats off the coast of the town of Kanagawa (the present-day city of Yokohama, Kanagawa Prefecture) while Mount Fuji rises in the background. While sometimes assumed to be a tsunami, the wave is more likely to be a large rogue wave. As in many of the prints in the series, it depicts the area around Mount Fuji under particular conditions, and the mountain itself appears in the background. Throughout the series are dramatic uses of Berlin blue pigment. Original impressions of the print are in many Western collections, including the Metropolitan Museum of Art, the British Museum, the Art Institute of Chicago, the Los Angeles County Museum of Art, the National Gallery of Victoria in Melbourne, and in Claude Monet's home in Giverny, France, among many other collections. from : Wikipedia